Dil Bole Hadippa
Dil Bole Hadippa
Dil Bole Hadippa is yet another film from the YRF’s kitty based in Punjab. This too represents the stereotypical culture of Punjab with swaying yellow fields, flashy celebrations, desi lassi and chomping sugarcane.
The film is the story of one such village of Punjab located at the Wagah border that has its own cricket team and plays match with the local Pakistani team for the Aman cup and have been losing in a row from past eight years.
The team’s owner (Anupam Kher) turns to his son Rohan (Shahid Kapur) who plays county cricket in England to take over as coach and the captain to strengthen the team. A village girl Veera (Rani Mukherjee) though works with a local theatre group in village, treasures an unusual dream of playing a cricket in the big league with the star cricketers Tendulkar and Dhoni.
She gets an entry in the men cricket team by disguising herself as a man. Here comes the twist in the story, Veera Kaur becomes Veer Pratap Singh sporting a turban and a beard. And thus it bears out the purpose of Veera living with a nautanki company called Jigri Yaar Dance Company, adept at costumes and disguises.
Her journey in the cricket arena leads to lot of humor, romance and on and off manifests the spirit of India for the sport. It ensembles all the superhit ingredients of the Yash Raj films like situations evoking patriotism, feel of DDLJ and loud Punjabi dialogues like main ek Punjabi baap ka Punjabi beta hoon.
In the climax, when Veera’s speech about allowing girls to dream freely will certainly move the audience. Unarguably, Rani is looking better than what she has in years and Shahid too looked dashing. The only two spoilsports in the sporty film are Sherlyn Chopra and Rakhi Sawant.
By the way DBH is the Punjabi version of the 2006 high school rom-com ‘She’s The Man’ in which a girl disguises herself as her brother to get in a soccer team.
Catch up DBH to see the fiery chemistry between first-time paired Bollywood ki rani Rani Mukherjee and Kamine star Shahid Kapoor.
Baabarr
This particular genre has been explored before as well. Baarbarr brings the memory of Satya and Parinda days with a refreshing change. The tagline – crime never ends; it only changes face, truly goes with the storyline, which showcases the reality of how people, even kids, live by the gun and die by the gun.
Baabarr set in Uttar Pradesh beautifully essays the brutal reality of evil-mentality of cops-politicians-gangsters and the deterioration of the law and order. Sohum Shah (Baabarr) wears the mask of fear and is in the world of crime since the age of 12 when he shot a man with cold-bloodedness.
He is the epitome of fear for everyone from an aam aadmi (common man) to influential politicians. To put an end to his cruelty, the government appoints an encounter specialist SP Dwivedi (Mithun Chakraborty) to either arrest or kill him. A sincere attempt by Ikram Akhtar does have negative points too. Baabarr backs on a strong script but lacks impact when it comes to overall film.
Ashuu Trikha`s deserves full-marks for direction. Cinematographer Suhass Gujarathi is simply superb.
Sohum Shah proves it all with a terrific performance. Mithun Chakraborty is excellent. Om Puri yet again brilliant and outstanding. Tinnu Anand amazes with yet another strong performance. Shakti Kapoor is back with a bang. Sushant Singh is perfect for his part. Urvashi Sharma is good. Govind Namdeo is promising. Mukesh Tiwari is fantastic. Vivek Shauq, Vishwajeet Pradhan and Pratima Kazmi leave a make with small but pivotal roles.
Overall, Baabarr is a power-packed story with all the elements in a place. It’s worth a watch. Go and grab the opportunity.
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